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Especially For You Too

esp2_360

Modern Piano Interpretations of
Jazz and Pop Standards

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    About Especially For You Too
    (the On-Liner Notes)

    This is a set of two albums (since expanded to four) of most requested songs. It is an eclectic mix, reflecting both my taste and choices and those of my clientele. Mostly easy listening with a lyrical romanticism, and a jazz edge that penetrates and infuses the tracks with energy.

    Listen to the Music


    Girl From Ipanema

    Everybody loves this Jobim tune, the most-recorded song in history…

     

    If I Were A Bell

    If I were Frankie, I’d go “Ring-a-ding-ding!”
    But I’m not…’

     

    After The Love Has Gone

    Sweet, kinda sad, but moving.

     

    Embracable You

    This is a 5/4 bossa, lots of fun to play – and listen to.

     

    Evergreen

    Smooth orchestral treatment of this Streisand classic.

     

    On A Clear Day

    It must be Barbra’s day in the studio! Another Streisand winner, and Scientology favorite (don’t’ ask…)

     

    Tenderly

    Smooth Jazz approach to this timeless tune.

     

    Corcovado

    Another great Jobim melody.

     

    Wichita Lineman

    Jimmy Webb penned this powerful, moving composition about personal responsibility and simple humanity.

     

    Here’s That Rainy Day

    Maybe i’m just all wet, but I really like this tune…

     

    My Girl

    Here is a different take on this Smokey favorite. Slower, funkier – but with class.

     

    Fool On The Hill

    My version of the Brazil 66 version of the Beatles version of the…
    Anyway, enjoy!

     

    Makin’ Whoopee

    Making music, making time, making tracks – what it’s all about…

     

    Joe’s Beemer

    Another original composition in 6/4 and 4/4, this reminded me initially of a Jobim tune, therefore the title…

     

    Fire And Rain

    Down-home, greasy and soulful version of the James Taylor anthem.



    About the Recording

    Producing The New Album

    dashhd

    When it became time to record the second piano solo CD, I decided I wanted a more contemporary-sounding instrument, to achieve the crispness and clarity I prefer in piano recordings. After much searching and testing, I found what I needed. This album reflects the upgrade of the piano, as well as upgrades to my “rhythm section,” the bass and drum libraries that make up my background tracks.

    I trust that my new studio capabilities afford you a more meaningful listening experience.


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